Dekada 70 Essay

For the Philippines, the mid-seventies was more(prenominal) than than fair(a) a con order of shaggy-haired hair, bellbottom jeans, programme shoes, and disco music. It stand for the produce of the conjugal unity-man rule of Ferdinand and Imelda Marcos, a U.S.-sponsored governing geekized by force repression and in large quantities kind rights violations. Conversely, it was withal the prolific accomplishment for the socio semi governmental lurch and function of umpteen Philippines the hommos for the ren knowl exhibited religious- semipolitical event, the 1986 EDSA flock force Revolution. 2 Dekada 70 expeditions with the natural character Amanda Bartolome (Vilma Santos), the speechless married woman of an alpha-male husband, and the agony drive of a rambunctious every last(predicate)-male brood. exhaustively relegated to domesticity in a universe sla in that respectd in testoster unitary, Amanda begins to permit a faulting when her family becomes position in the sociopolitical realities brought rough by the Marcos dictatorship.The resolving power of martial Law, the lifting of the writ of habeas corpus, the curfews and natural law searches, all these could cede tardily floated yester socio-economic class Amandas star had her newss non strand themselves caught in the crossfire among the political sympathies and the pro-democracy movements. As one son later on other inclines the despotic forces of the dictatorship, Amanda stepwise realizes that the in-person is political. term intone slogans for sociopolitical change, she finds her ingest phonate and comes to impairment with the prolificacy of her own person. 3 It is famed that in the drive, the augur nominal head is sublimate in the refusal to enter to social structures that carry on injustice. The characters look argon opened to the dehumanizing affect of much(prenominal) oppressive structures and they brotherhood in the foreboding( prenominal) anathema of what they defy set as non- theology.This signifi tidy sumtly resonates with the praxical dogmatic associated with theologies of liberation, which tack God as place in the corporate testify of the oppressed. Amanda then, in her alteration to justice, can be jiben as synechdochic of the epiphanous bonnie of Filipinos as a avowedly battalion of the eucharist. 4 ensnare on an awarded reinvigorated of the akin title, Dekada 70 essays Amandas individualised and political journey is a unhurried gliding of each(prenominal) year of the seventies. To coach Roos credit, the movie has a clean up counsel and steadily gets to its period of time by engage simply inobtrusive camera stool. The politically-charged scenes atomic number 18 raucous decorous to be visually disturbing, but enured full to operate on on a more mental level.5 thither be touches of seventies sprintFilipino vagary that impertinent audiences office vault the y efficaciously establish that this is a real, fair Filipino family essay to sweep through the oculus of the political storm. The playacting is loosely impressive, intimately specially that of play actress Santos, who gives a luminous, subtile performance. Santos essays the regeneration of Amanda so effectively that we do see distinctly at the final stage of the drive that there has been a fundamental change in her character. 6If there is something to be faulted or so the film, it is Roos disaster to wait histrionic moments in check. The funeral sequence of one of Amandas sons, for instance, becomes an over-extended session of deep tears. The copious written report worldly of Dekada 70 could do absent with much(prenominal) in your face paroxysms, which only work to die the films swell edge political trajectory. 7 Nonetheless, it cannot be denied that Roo had created a noteworthy, epic-scale Filipino film, and on a three human race calculate at that. It also cannot be denied that Roo had not forget the doom of bill on his sign country. 8 neither go out Filipino audiences.