Essay on Michelangelo The Gates of Paradise - 1737 Words

Michelangelo, renowned Renaissance painter and sculptor, called the doors â€Å"The Gates of Paradise,† a golden gateway leading into the Heavens. The name stuck, but more so because of the significance of the doors’ location at The Baptistery of San Giovanni in Florence, Italy, where during the Middle Ages, converts came yearly at the parade dedicated to St. John the Baptist, to be anointed and earn paradise; hence, the â€Å"paradise† in The Gates of Paradise (â€Å"Baptistery of San Giovanni†). Before naming the work of art though, it had to have first been built. Commissioned to goldsmith Lorenzo Ghiberti in 1425 by the Arte di Calimala, a guild of wool merchants in Florence, the golden-bronze doors took twenty-seven years to construct and were†¦show more content†¦The revival of antiquity allowed Greek and Roman influences to appear in Renaissance art as references to the ancient civilizations’ mythology or the reappearance of their ar chitecture. Other characteristics of Renaissance art include humanism and realism. Humanism in art meant the depiction of more human-centered worlds or subjects, and the idea of human individuality (often expressed through portraitures or a broader exploration of the arts). Realism, otherwise known as naturalism, meant a new emphasis on the imitation of reality and the use of mathematical concepts, like the laws of perspective, to achieve that goal. Considering that Lorenzo Ghiberti’s The Gates of Paradise includes all three characteristics of Renaissance art: Greek and Roman antiquity, humanism, and realism, one can further deduce that The Gates of Paradise is a prime example of the prevailing art style of the Renaissance. Greek and Roman influences are often seen in Renaissance art due to the resurrection of the classics during that time period; Ghiberti, being an artist from the Renaissance, followed the renewed interest in classical antiquity and included several aspects of the ancient civilizations’ culture in The Gates of Paradise. Content-wise, there are several references to the classics. Among the many busts and statues surrounding the ten gilded panels, some are recognizedShow MoreRelatedAnalysis Of Lorenzo Ghibertis Genesis From TheGates Of Paradise942 Words   |  4 Pages In Lorenzo Ghiberti’s â€Å"Genesis from the ‘Gates of Paradise’† (c.1435)(fig.1), Giacomo Balla’s â€Å"Swifts: Paths of Movement and Dynamic Sequences† (c.1913) (fig.2) and Alexander Calder’s â€Å"Untitled† (c.1972)(fig.3) there is a theme of movement or more specifically flight. Each artwork portrays flight, however each has their own interpretation, use of medium, and innovation of their time period. Flight is a very broad term that can be defined in various ways. In the piece Swifts: Paths of MovementRead MoreAlthough Eichendorff’s story displays religious elements, the pious facets take on a different form1600 Words   |  7 Pagesfriend Angelo reveals this by exclaiming, â€Å"Why you have sinned against god and thrown away his divine gift, wasted your wonderful talent!† The young artist commits another deadly sin separate from Florio and that is envy. He dreams of the life Michelangelo and Raphael live with their masterpieces and recognition. The discontent he feels towards the talent of the famous artists causes him to continuously break down his clay moldings as he is always unsatisfied. On the other hand, Florio’s lack ofRead MoreArt of the Italian Renaissance 1394 Words   |  6 Pagesof the reasons Ghiberti won; he recreated a turbulent biblical scene with grace. When Lorenzo Ghiberti had won the contest and finished the east doors, Michelangelo stated his doors were â€Å"so beautiful that they would do well for the gates of Paradise.† (Kleiner, 566) Ever since then, these magnificent doors have been titled The Gates of Paradise (21-9). Another famous artist from this period is Donatello, one who specialized in sculpture and sculpture relief. Some of his works shown in thisRead MoreRenaissance Artists: Lorenzo Ghiberti795 Words   |  4 Pagesinfluenced by the 11th century Arab polymath Alhazen, whose Book of Optics, about the optical basis of perspective. Ghiberti incorporated these techniques into the baptistery next set of bronze doors, considered his greatest work. Dubbed the â€Å"Gates of Paradise† by Michelangelo, each door portrays five scenes from the Old Testament. In the individual panels, Ghiberti used a painter’s point of view to heighten the illusion of depth. He also extended that illusion by having the figures closer to the viewer extendRead MoreAncient Greek And Roman Art1711 Words   |  7 Pagesbrought joy and accomplishment to the community. The doors were considered masterpieces and a great success and because of this he was commissioned to design another set of doors for the church. Michelangelo named these doors â€Å"The Gates of Paradise†. After Ghiberti’s great success with the Gates of Paradise, he went on to become one of the most important early Renaissance sculptor. There was something about renovating ancient art that gave Ghiberti a sense of pride and desire to continue. He wentRead MoreArt And Its Impact On Art Essay1023 Words   |  5 Pagesof art began, also known as Baroque art. Artworks from this time included landscapes, still life, and theatre. These artworks also showed images of faith. Several artists lived during the time of the Renaissance, including Leonardo Da Vinci, Michelangelo, Raphael, Titian, and Donatello. Donatello was an Italian sculptor born in the city of Florence, Italy in 1386. He was the son of a craftsman, and received his education from the home of a family of wealthy Florence bankers, the Martellis. ThereRead MoreThe Life and Works of Michelangelo2455 Words   |  10 PagesLa vita di Michelangelo Michelangelo, one of the greatest artist of all time, he is a man whose the word virtuoso is imprinted in his name itself. Michelangelo began his artistic career being apprenticed to a great master of the arts. His master, who taught him the art techniques, was Domenico Girlandaio. After watching the talented young apprentice, Girlandaio sent him to the city of Florence, to learn from Lorenzo de Medici. School of Lorenzo de Medici, Michelangelo remained for two years (1490-1492)Read MoreA Study On Getting Started Essay2422 Words   |  10 Pagesthemes used in the art—biblical stories. Biblical stories have been used in a wide array of art since the Roman ages, and artists continued to use them throughout the renaissance. They can be seen in pieces like â€Å"David†, â€Å"The Annunciation†, â€Å"Gates of Paradise†, and â€Å"The Tribute Money†. These pieces, while revolutionary in so many other ways, were still a product of what humans used to pu t their faith in. A fine example of this would be Fra Angelico. Known as a brother of the church, Fra Angelico wasRead MoreLate Medieval Italy ( 13th And 13th Centuries )1868 Words   |  8 Pagesthe very first artist to come upon these ideals but he has given this mantle by Giorgio Vasari in his book written in 1550 titled â€Å" The Lives of the artists†. Vasari was contemporary to many famous Renaissance artists that we know about including Michelangelo. Giotto’s Early work is seen in the freshness of the upper church of San Francisco in Assisi. It is possible that he worked on the upper church with his teacher Cimabue. Giotto took the expertise of his teacher and refined it into more naturalisticRead MorePurgatorio Essay4430 Words   |  18 Pagesthat misunderstanding. Shakespeare, of course, shared with his fellow Elizabethans a characteristic misunderstanding of, and hostility toward, things uniquely Popish.) Rather, everyone who enters Purgatory eventually gets into Heaven; therefore, the Gate of Heaven is found not in Paradiso, but in Purgatorio, canto 9. All people are sinners deserving damnation, unless they achieve reconciliation, generally through the sacrament of penance or confession. The Fourth Lateran Council in 1215 had insisted

Chapter 6 The Portkey Free Essays

string(91) " she called after the twins’ retreating backs, but they did not look back or answer\." Harry felt as though he had barely lain down to steep in Ron’s room when he was being shaken awake by Mrs. Weasley. â€Å"Time to go, Harry, dear,† she whispered, moving away to wake Ron. We will write a custom essay sample on Chapter 6 The Portkey or any similar topic only for you Order Now Harry felt around for his glasses, put them on, and sat up. It was still dark outside. Ron muttered indistinctly as his mother roused him. At the foot of Harry’s mattress he saw two large, disheveled shapes emerging from tangles of blankets. â€Å"‘S time already?† said Fred groggily. They dressed in silence, too sleepy to talk, then, yawning and stretching, the four of them headed downstairs into the kitchen. Mrs. Weasley was stirring the contents of a large pot on the stove, while Mr. Weasley was sitting at the table, checking a sheaf of large parchment tickets. He looked up as the boys entered and spread his arms so that they could see his clothes more clearly. He was wearing what appeared to be a golfing sweater and a very old pair of jeans, slightly too big for him and held up with a thick leather belt. â€Å"What d’you think?† he asked anxiously. â€Å"We’re supposed to go incognito – do I look like a Muggle, Harry?† â€Å"Yeah,† said Harry, smiling, â€Å"very good.† â€Å"Where’re Bill and Charlie and Per-Per-Percy?† said George, failing to stifle a huge yawn. â€Å"Well, they’re Apparating, aren’t they?† said Mrs. Weasley, heaving the large pot over to the table and starting to ladle porridge into bowls. â€Å"So they can have a bit of a lie-in.† Harry knew that Apparating meant disappearing from one place and reappearing almost instantly in another, but had never known any Hogwarts student to do it, and understood that it was very difficult. â€Å"So they’re still in bed?† said Fred grumpily, pulling his bowl of porridge toward him. â€Å"Why can’t we Apparate too?† â€Å"Because you’re not of age and you haven’t passed your test,† snapped Mrs. Weasley. â€Å"And where have those girls got to?† She bustled out of the kitchen and they heard her climbing the stairs. â€Å"You have to pass a test to Apparate?† Harry asked. â€Å"Oh yes,† said Mr. Weasley, tucking the tickets safely into the back pocket of his jeans. â€Å"The Department of Magical Transportation had to fine a couple of people the other day for Apparating without a license. It’s not easy, Apparition, and when it’s not done property it can lead to nasty complications. This pair I’m talking about went and splinched themselves.† Everyone around the table except Harry winced. â€Å"Er – splinched?† said Harry. â€Å"They left half of themselves behind,† said Mr. Weasley, now spooning large amounts of treacle onto his porridge. â€Å"So, of course, they were stuck. Couldn’t move either way. Had to wait for the Accidental Magic Reversal Squad to sort them out. Meant a fair old bit of paperwork, I can tell you, what with the Muggles who spotted the body parts they’d left behind†¦..† Harry had a sudden vision of a pair of legs and an eyeball lying abandoned on the pavement of Privet Drive. â€Å"Were they okay?† he asked, startled. â€Å"Oh yes,† said Mr. Weasley matter-of-factly. â€Å"But they got a heavy fine, and I don’t think they’ll be trying it again in a hurry. You don’t mess around with Apparition. There are plenty of adult wizards who don’t bother with it. Prefer brooms – slower, but safer.† â€Å"But Bill and Charlie and Percy can all do it?† â€Å"Charlie had to take the test twice,† said Fred, grinning. â€Å"He failed the first time. Apparated five miles south of where he meant to, right on top of some poor old dear doing her shopping, remember?† â€Å"Yes, well, he passed the second time,† said Mrs. Weasley, marching back into the kitchen amid hearty sniggers. â€Å"Percy only passed two weeks ago,† said George. â€Å"He’s been Apparating downstairs every morning since, just to prove he can.† There were footsteps down the passageway and Hermione and Ginny came into the kitchen, both looking pale and drowsy. â€Å"Why do we have to be up so early?† Ginny said, rubbing her eyes and sitting down at the table. â€Å"We’ve got a bit of a walk,† said Mr. Weasley. â€Å"Walk?† said Harry. â€Å"What, are we walking to the World Cup?† â€Å"No, no, that’s miles away,† said Mr. Weasley, smiling. â€Å"We only need to walk a short way. It’s just that it’s very difficult for a large number of wizards to congregate without attracting Muggle attention. We have to be very careful about how we travel at the best of times, and on a huge occasion like the Quidditch World Cup†¦Ã¢â‚¬  â€Å"George!† said Mrs. Weasley sharply, and they all jumped. â€Å"What?† said George, in an innocent tone that deceived nobody. â€Å"What is that in your pocket?† â€Å"Nothing!† â€Å"Don’t you lie to me!† Mrs. Weasley pointed her wand at George’s pocket and said, â€Å"Accio!† Several small, brightly colored objects zoomed out of George’s pocket; he made a grab for them but missed, and they sped right into Mrs. Weasley’s outstretched hand. â€Å"We told you to destroy them!† said Mrs. Weasley furiously, holding up what were unmistakably more Ton-Tongue Toffees. â€Å"We told you to get rid of the lot! Empty your pockets, go on, both of you!† It was an unpleasant scene; the twins had evidently been trying to smuggle as many toffees out of the house as possible, and it was only by using her Summoning Charm that Mrs. Weasley managed to find them all. â€Å"Accio! Accio! Accio!† she shouted, and toffees zoomed from all sorts of unlikely places, including the lining of George’s jacket and the turn-ups of Fred’s jeans. â€Å"We spent six months developing those!† Fred shouted at his mother as she threw the toffees away. â€Å"Oh a fine way to spend six months!† she shrieked. â€Å"No wonder you didn’t get more O.W.L.s!† All in all, the atmosphere was not very friendly as they took their departure. Mrs. Weasley was still glowering as she kissed Mr. Weasley on the cheek, though not nearly as much as the twins, who had each hoisted their rucksacks onto their backs and walked out without a word to her. â€Å"Well, have a lovely time,† said Mrs. Weasley, â€Å"and behave yourselves,† she called after the twins’ retreating backs, but they did not look back or answer. You read "Chapter 6 The Portkey" in category "Essay examples" â€Å"I’ll send Bill, Charlie, and Percy along around midday,† Mrs. Weasley said to Mr. Weasley, as he, Harry, Ron, Hermione, and Ginny set off across the dark yard after Fred and George. It was chilly and the moon was still out. Only a dull, greenish tinge along the horizon to their right showed that daybreak was drawing closer. Harry, having been thinking about thousands of wizards speeding toward the Quidditch World Cup, sped up to walk with Mr. Weasley. â€Å"So how does everyone get there without all the Muggles noticing?† he asked. â€Å"It’s been a massive organizational problem,† sighed Mr. Weasley. â€Å"The trouble is, about a hundred thousand wizards turn up at the World Cup, and of course, we just haven’t got a magical site big enough to accommodate them all. There are places Muggles can’t penetrate, but imagine trying to pack a hundred thousand wizards into Diagon Alley or platform nine and three-quarters. So we had to find a nice deserted moor, and set up as many anti-Muggle precautions as possible. The whole Ministry’s been working on it for months. First, of course, we have to stagger the arrivals. People with cheaper tickets have to arrive two weeks beforehand. A limited number use Muggle transport, but we can’t have too many clogging up their buses and trains – remember, wizards are coming from all over the world. Some Apparate, of course, but we have to set up safe points for them to appear, well away from Muggles. I believe there’s a handy w ood they’re using as the Apparition point. For those who don’t want to Apparate, or can’t, we use Portkeys. They’re objects that are used to transport wizards from one spot to another at a prearranged time. You can do large groups at a time if you need to. There have been two hundred Portkeys placed at strategic points around Britain, and the nearest one to us is up at the top of Stoatshead Hill, so that’s where we’re headed.† Mr. Weasley pointed ahead of them, where a large black mass rose beyond the village of Ottery St. Catchpole. â€Å"What sort of objects are Portkeys?† said Harry curiously. â€Å"Well, they can be anything,† said Mr. Weasley. â€Å"Unobtrusive things, obviously, so Muggles don’t go picking them up and playing with them†¦stuff they’ll just think is litter†¦.† They trudged down the dark, dank lane toward the village, the silence broken only by their footsteps. The sky lightened very slowly as they made their way through the village, its inky blackness diluting to deepest blue. Harry’s hands and feet were freezing. Mr. Weasley kept checking his watch. They didn’t have breath to spare for talking as they began to climb Stoatshead Hill, stumbling occasionally in hidden rabbit holes, slipping on thick black tuffets of grass. Each breath Harry took was sharp in his chest and his legs were starting to seize up when, at last, his feet found level ground. â€Å"Whew,† panted Mr. Weasley, taking off his glasses and wiping them on his sweater. â€Å"Well, we’ve made good time – we’ve got ten minutes.† Hermione came over the crest of the hill last, clutching a stitch in her side. â€Å"Now we just need the Portkey,† said Mr. Weasley, replacing his glasses and squinting around at the ground. â€Å"It won’t be big†¦.Come on†¦Ã¢â‚¬  They spread out, searching. They had only been at it for a couple of minutes, however, when a shout rent the still air. â€Å"Over here, Arthur! Over here, son, we’ve got it.† Two tall figures were silhouetted against the starry sky on the other side of the hilltop. â€Å"Amos!† said Mr. Weasley, smiling as he strode over to the man who had shouted. The rest of them followed. Mr. Weasley was shaking hands with a ruddy-faced wizard with a scrubby brown beard, who was holding a moldy-looking old boot in his other hand. â€Å"This is Amos Diggory, everyone,† said Mr. Weasley. â€Å"He works for the Department for the Regulation and Control of Magical Creatures. And I think you know his son, Cedric?† Cedric Diggory was an extremely handsome boy of around seventeen. He was Captain and Seeker of the Hufflepuff House Quidditch team at Hogwarts. â€Å"Hi,† said Cedric, looking around at them all. Everybody said hi back except Fred and George, who merely nodded. They had never quite forgiven Cedric for beating their team, Gryffindor, in the first Quidditch match of the previous year. â€Å"Long walk, Arthur?† Cedric’s father asked. â€Å"Not too bad,† said Mr. Weasley. â€Å"We live just on the other side of the village there. You?† â€Å"Had to get up at two, didn’t we, Ced? I tell you, I’ll be glad when he’s got his Apparition test. Still†¦not complaining†¦Quidditch World Cup, wouldn’t miss it for a sackful of Galleons – and the tickets cost about that. Mind you, looks like I got off easy†¦.† Amos Diggory peered good-naturedly around at the three Weasley boys, Harry, Hermione, and Ginny. â€Å"All these yours, Arthur?† â€Å"Oh no, only the redheads,† said Mr. Weasley, pointing out his children. â€Å"This is Hermione, friend of Ron’s – and Harry, another friend -â€Å" â€Å"Merlin’s beard,† said Amos Diggory, his eyes widening. â€Å"Harry? Harry Potter?† â€Å"Er – yeah,† said Harry. Harry was used to people looking curiously at him when they met him, used to the way their eyes moved at once to the lightning scar on his forehead, but it always made him feel uncomfortable. â€Å"Ced’s talked about you, of course,† said Amos Diggory. â€Å"Told us all about playing against you last year†¦I said to him, I said – Ced, that’ll be something to tell your grandchildren, that will†¦.You beat Harry Potter!† Harry couldn’t think of any reply to this, so he remained silent. Fred and George were both scowling again. Cedric looked slightly embarrassed. â€Å"Harry fell off his broom, Dad,† he muttered. I told you†¦it was an accident†¦.† â€Å"Yes, but you didn’t fall off, did you?† roared Amos genially, slapping his son on his back. â€Å"Always modest, our Ced, always the gentleman†¦but the best man won, I’m sure Harry’d say the same, wouldn’t you, eh? One falls off his broom, one stays on, you don’t need to be a genius to tell which one’s the better flier!† â€Å"Must be nearly time,† said Mr. Weasley quickly, pulling out his watch again. â€Å"Do you know whether we’re waiting for any more, Amos?† â€Å"No, the Lovegoods have been there for a week already and the Fawcetts couldn’t get tickets,† said Mr. Diggory. â€Å"There aren’t any more of us in this area, are there?† â€Å"Not that I know of,† said Mr. Weasley. â€Å"Yes, it’s a minute off†¦We’d better get ready†¦.† He looked around at Harry and Hermione. â€Å"You just need to touch the Portkey, that’s all, a finger will do -â€Å" With difficulty, owing to their bulky backpacks, the nine of them crowded around the old boot held out by Amos Diggory. They all stood there, in a tight circle, as a chill breeze swept over the hilltop. Nobody spoke. It suddenly occurred to Harry how odd this would look if a Muggle were to walk up here now†¦nine people, two of them grown men, clutching this manky old boot in the semidarkness, waiting†¦. â€Å"Three†¦Ã¢â‚¬  muttered Mr. Weasley, one eye still on his watch, two†¦one†¦Ã¢â‚¬  It happened immediately: Harry felt as though a hook just behind his navel had been suddenly jerked irresistibly forward. His feet left the ground; he could feel Ron and Hermione on either side of him, their shoulders banging into his; they were all speeding forward in a howl of wind and swirling color; his forefinger was stuck to the boot as though it was pulling him magnetically onward and then – His feet slammed into the ground; Ron staggered into him and he fell over; the Portkey hit the ground near his head with a heavy thud. Harry looked up. Mr. Weasley, Mr. Diggory, and Cedric were still standing, though looking very windswept; everybody else was on the ground. â€Å"Seven past five from Stoatshead Hill,† said a voice. How to cite Chapter 6 The Portkey, Essay examples

Trifles by Susan Glaspell Essay Example For Students

Trifles by Susan Glaspell Essay English 1302 October 30, 2003 In this theatrical production, titled Trifles, by Susan Glaspell, Minnie Foster Wright is being accused of murdering her husband, John. In this production, Mrs. Wright is consistently referenced, and although she is not witnessed, she is very recognizable. There are important symbolisms in this play that signifies Mrs. Wright and her existence as it once was and as it currently exists to be. The play opens in Minnie Wrights kitchen. Minnies husband has been murdered, he was found strangled with a rope around his neck. The County Attorney, the Sheriff, his wife and a few neighbors are there. The Sheriff, the attorney and the men set up the task of investigating the murder. The women, however, are concerned with the appearance of the house, especially the kitchen. The word trifle is used once in the play to indicate how the men think of what the women. are doing in the kitchen while the men are trying to solve the murder. The women were in the kitchen discussing the fact that Minnie was concerned about her fruit preserves. The County Attorney makes the statement: I guess before were through she may have something more serious than preserves to worry about. Mr. Hale responds with: Well, women are used to worrying over trifles. Because the women were concerned with cleaning and tidying the kitchen, which men considered trifle, the men overlooked that area and went out to find some real clues. However, the real clue to solving the murder was found in the kitchen. Mrs. Hale and Mrs. Peters find a birdcage in the kitchen cupboard. They discuss the fact that Minnie must have had a bird at one time, but do not connect it with the murder at first. This is an example of how the men considered what the women were doing of no importance. Mrs. Wright had requested a few things from the house, her apron, shawl and some clothes. While the women were gathering these things, they came across her quilting and were discussing whether or not they thought Mrs. Wright was going to keep on quilting or knot the quilt and finish it. The men came downstairs and laughed at the women. The Sheriff said, They wonder if she was going to quilt it or just knot it! Mrs. Hale said, I dont know as theres anything so strange, our takin up our time with little things while were waiting for them to get the evidence. I dont see as its anything to laugh about. This is another example of how what the women were doing was considered trifle, of no importance to the investigation. However, as the women were looking for patches to fix the quilt, they came across a dead canary wrapped in a piece of silk. The canarys neck had been broken. The County Attorney came in and saw the birdcage and asked Has the bird flown? The women told him that they thought the cat had gotten it. The women were starting to put the facts together. The women connected the fact that Mr. Wright had killed the canary by breaking his neck, and in turn Mrs. Wright killed her husband by strangling him with a rope. The men completely missed the point because what the women were doing had no significance to the investigation. They were more interested if anyone came in through the windows. The County Attorney said to the Sheriff, No sign at all of anyone having come from the outside. Their own rope. Now Lets go up again and go over it piece by piece. .u57cf2bfd90914ab757f41a07e94a73a9 , .u57cf2bfd90914ab757f41a07e94a73a9 .postImageUrl , .u57cf2bfd90914ab757f41a07e94a73a9 .centered-text-area { min-height: 80px; position: relative; } .u57cf2bfd90914ab757f41a07e94a73a9 , .u57cf2bfd90914ab757f41a07e94a73a9:hover , .u57cf2bfd90914ab757f41a07e94a73a9:visited , .u57cf2bfd90914ab757f41a07e94a73a9:active { border:0!important; } .u57cf2bfd90914ab757f41a07e94a73a9 .clearfix:after { content: ""; display: table; clear: both; } .u57cf2bfd90914ab757f41a07e94a73a9 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u57cf2bfd90914ab757f41a07e94a73a9:active , .u57cf2bfd90914ab757f41a07e94a73a9:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u57cf2bfd90914ab757f41a07e94a73a9 .centered-text-area { width: 100%; position: relative ; } .u57cf2bfd90914ab757f41a07e94a73a9 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u57cf2bfd90914ab757f41a07e94a73a9 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u57cf2bfd90914ab757f41a07e94a73a9 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u57cf2bfd90914ab757f41a07e94a73a9:hover .ctaButton { background-color: #34495E!important; } .u57cf2bfd90914ab757f41a07e94a73a9 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u57cf2bfd90914ab757f41a07e94a73a9 .u57cf2bfd90914ab757f41a07e94a73a9-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u57cf2bfd90914ab757f41a07e94a73a9:after { content: ""; display: block; clear: both; } READ: Flannery O'Conner Essay The word trifle had more than one meaning in this play. The womens duties were considered trifle, to be insignificant. As a result the men never found the clues necessary to solve the case. In addition, Mrs. Wrights life was also considered to be trifle, she had no children, and did not participate in any community activities. The title of the play adds to our understanding of the plays characters and theme by showing that the birdcage also represented something trifle to the investigation. The men did not consider this a clue, but the women realized that Mrs. Wright was .